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As an underrated feminist anthem, told from a place of dominance, Kate Bush controls the narrative in a way that suggests that if she only swapped places with her partner, she’d be able to be free of them, “running up that hill with no problems”. Using this powerful delivery, she tells her lover that she’d swap places with him so they could more easily understand one another, and if she was successful it would be the end to her problems. Perhaps Kate Bush’s biggest hit, it displays the power and dominance in her vocal delivery, filled with strength and determination. Opening with what has gone on to become arguably the album’s biggest hit, ‘Running Up That Hill (A Deal With God)’ begins with a slow atmospheric build before a bass heavy drum beat joins in and is quickly joined by the now familiar synth melody. The result is an organic album that was one of the first to blur the line between acoustic instrumentation and digital manipulation.
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The resulting tracks were fully formed enough and of appropriate quality that Bush decided not to re-record them but instead to add overdubs using live instrumentation and additional vocalists. Knowing that time spent in a studio was going to be impossibly expensive, she built a new studio in a barn near her family home and began writing demos using a synthesizer and sampler, the Fairlight CMI, and a drum machine, the LinnDrum. As her first self-produced album, Bush had learned lessons while crafting ‘The Dreaming’ and while her label was not fully enthused about her taking sole control over her next release, Bush felt that her artistic vision was of prime importance. When her previous album, ‘The Dreaming’, had failed to perform as well as her earlier releases she had spent time getting to grips with whether chart performance or artistic vision were more important to her. Released in 1985, Bush had been quietly working away on ‘Hounds of Love’ for three years. The influence of the album is therefore clear, but what is it about Kate Bush’s fifth LP that makes it a classic? As new, younger audiences once again discover Kate Bush, some may also discover that the 2005 track ‘Hounds of Love’ by The Futureheads is a cover of Bush’s title track.
It is therefore the perfect time to reflect on the album from which it is the opening track, ‘Hounds of Love’.
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However, she went on to perform this version – along with “Hounds of Love”, “Cloudbusting” and the entire “The Ninth Wave” suite – in 2014 as part of the Before the Dawn live residency and later released on the late 2016 live album of the same name.Thanks to a dramatic and prominent placement in the TV show ‘Stranger Things’, Kate Bush’s nearly 40 year old single ‘Running Up That Hill (A Deal With God)’ found itself on the top of the UK singles chart. However, she declined and instead remixed the song for the ceremony. In 2010, another remaster was released by Audio Fidelity on marbled vinyl.įor the London 2012 Olympics Closing Ceremony, Bush was asked to perform “Running Up That Hill” live. Including 6 bonus tracks, the album became the first of Bush’s releases to be remastered before the starting of her label Fish People in 2011. Instead of crowded cityscapes, songs were written gazing across scenery and allowed the harsh “mankind’s screwing things up” energy to depart in favour of a more positive one.Īs part of EMI’s “First Centenary” reissue series, the album received a remastered release in 1997. Featuring more honed production and techniques, it allowed Bush to leave the bustle of London and retreat back into the countryside, away from the grips of her label EMI. The first to be recorded in Bush’s own home studio, the album is a drastic departure from The Dreaming. Containing Bush’s first and most praised conceptual piece, “The Ninth Wave” details a dark tale of a woman lost at sea, entering a dream sequence as she awaits rescue. Side 2, however, is an entirely different scenario. Side 1, titled “Hounds of Love”, features all 4 singles and threads its 5 songs together through a loose theme of love. Split across 2 discs, the album incorporates 2 very different sections. Widely considered her magnum opus, it lit another rocket under Bush’s career (following the “she’s gone mad” response of her previous record) and went onto finally break the US market alongside becoming her best-selling album. Hounds of Love is the fifth studio album by singer, songwriter and producer Kate Bush.